The Stage History of Eugene O’Neill’s Satire Marco Millions: Facets of Interpretation
- Issue:
- Received: 30 Dec. 2024
- Approved after reviewing: 06 Sept. 2025
- Date of publication: 25 Dec. 2025
- УДК / UDK: 821.111(73).0
- Publication Type: Research Article
- DOI:
- EDN:
- Abstract:
Thе article is focused on the history of creation and stage productions of Eugene O’Neill’s satire Marco Millions (1927) that reflected the playwright’s interest in the Orient. The paper analyzes different facets of interpretation of the play in forgotten and completely unknown to the Russian reader productions. Among them are spectacles directed by Rouben Mamoulian (Theatre Guild, New York, 1928; Liberty Theatre, 1930), Algirdas Jaksevicius (Kaunas State Theatre, Kaunas, 1938), Jose Quintero (ANTA Washington Square Theatre, New York, 1964), and also Tom Ridgely’s dramatic vaudeville Marco Millions (based on lies) (Lion Theatre, New York, 2006) inspired by Eugene O’Neill’s satire. A special attention is paid to the analysis of the title character – how it was conceived and created by the playwright and how the protagonist is interpreted in different stage productions. The final part of the article is dedicated to the translation and publication of the play in Russia where, unfortunately, Marco Millions was never performed on stage.
- Keywords: Eugene O’Neill, American drama, history of theatre, satire, Marco Millions, Marco Polo, stage production, music adaptation, dramatic vaudeville, M.M. Koreneva.
- For citation:
Zhamanova, Amina. “The Stage History of Eugene O’Neill’s Satire Marco Millions: Facets of Interpretation.” Literature of the Americas, no. 19 (2025): 204–223. https://doi.org/10.22455/2541-7894-2025-19-204-223
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