Issue:

№10 2021

УДК / UDK: 821.111 (73)-2
DOI:

https://doi.org/10.22455/2541-7894-2021-10-310-330

Author: Yulia A. Kleiman
About the author:

Yulia A. Kleiman, PhD in Arts, Associate Professor, Russian State Institute of Performing Arts, Mokhovaya, 34, 191028 Saint Petersburg, Russia; National Research University Higher School of Economics, Staraya Basmannaya 21/4, 105066 Moscow, Russia.

ORCID ID: http://orcid.org/0000-0002-9425-0013

 Researcher ID: G-5447-2017

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

Walt Disney’s studio created second full-length film Pinocchio in 1940. Its plot and interpretation of the characters were significantly different from the Carlo Collodi’s novel. Disney wrote enthusiastic letter to playwright and director Yasha Frank, who staged Pinocchio as theatre extravaganza in 1937. This production has become a landmark of the Children’s Theatre Project in the framework of Federal Theatre Project, being visually picturesque, inventive and up-to-date according to its social message. It was a story about the complexity of the emergence of a new human, which was especially significant in the context of the ideas of revising the structure of society. There is a reason to see in the Pinocchio script an attempt to substitute theatre dramaturgy by circus language, so essential for the Soviet theater of 1910–20s. The plot was split into numbers performed by professional variety and circus performers, and was reassembled: gags were an organic part of this new plot. However, Frank may not have escaped the influence of animation as well. The article is based on Yasha Frank’s working script, photos and reviews. It examines circus and cinema elements that were used for the theatre’s Pinocchio by Yasha Frank, and its influence to famous Walt Disney’ studio cartoon.

Keywords: American culture and literature, Pinocchio, circus elements, Yasha Frank, Walt Disney, Federal Theatre Project, Great Depression.
For citation:

Kleiman, Yulia. “Pinocchio of the Red Decade: On Stage and on Screen.” Literature of the Americas, no. 10 (2021): 310–330.
https://doi.org/10.22455/2541-7894-2021-10-310-330

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